A sensitive journey into the past

In her film “Sedimente “, director Laura Coppens combines autobiographical elements with a historical analysis of Germany’s past in a cinematic and reflective manner. The dialogue between granddaughter and grandfather creates a multidimensional narrative that closely links individual memory and collective memory.

At close range

Claire Simon has made a film about the writings of French author Annie Ernaux, using her camera to accompany young people in private conversations and, above all, in classroom discussions. In classrooms and schoolyards, students discuss Ernaux’s books. Simon manages to engage with the students on an equal footing.

The film marathon kicks off

The 68th edition of DOK Leipzig has finally begun. The DOK Spotters attended the opening film and took the opportunity to ask the audience outside the cinema a few questions. The diverse answers give the youth editorial team an initial insight into the festival audience and their expectations of the opening film.

What is it like to be invisible?

What is it like to be invisible? This is what the movie “The Other One” shows us, which deals with a problem that is almost as invisible as the protagonist Johanna. She is eighteen years old, has just finished school and dreams of studying psychology – and she has an autistic little sister. So she […]

Orange Freedom

The short film “Himmel wie Seide. Voller Orangen” takes us on a special journey through time in ten intense minutes: the story of the first GDR travel group that was headed for the coveted destination ‘West-West’, namely Mallorca, after reunification. We are immersed in the personal memories of an East German who takes us on […]

A garden as a classroom

The film “An Octopus Destroyed the Moon” begins with the image of an idyllic garden in the heart of Berlin. As the film progresses, we get to know some of the pupils at the August Sander School, an integrative pre-vocational school, who work in this very garden, an outdoor area of the school in Berlin-Friedrichshain. […]

“I had to stay.”

In her video diary the Ukrainian director Hanna Trofimova takes us into her life, in the midst of war. She shows images of fear and tells about the guilt she feels, leaving her homeland behind. We met her for an interview about her film “When will the Winter of 2022 end ?“